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The Apparently Marginal Activities of Marcel Duchamp (The MIT Press)
by Elena Filipovic
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The Apparently Marginal Activities of Marcel MIT Press Elena Filipovic an art historian is Director and Chief Curator of Kunsthalle Basel She is author of The Apparently Marginal Activities of Marcel Duchamp MIT Press The Apparently Marginal Activities of Marcel Duchamp The The Apparently Marginal Activities of Marcel Duchamp The MIT Press Elena Filipovic on FREE shipping on qualifying offers A new understanding of Marcel Duchamp and his significance as an artist through an investigation of his nonart activities―archiving The Apparently Marginal Activities of Marcel Duchamp The MIT Press is a leading publisher of books and journals at the intersection of science technology and the arts The Apparently Marginal Activities of Marcel Duchamp Giovanna Costantini Posted Online March 30 2018 p211212 OrderSubscribe Download Options The Apparently Marginal Activities of Marcel Duchamp Giovanna Costantini The Apparently Marginal Activities of Marcel Duchamp MIT Press This feature is not available right now Please try again later Review of The Apparently Marginal Activities of Marcel By focusing on apparently marginal activities Filipovic addresses the issue by which an artist is too much identified with certain of his or her things or art works either through art history or the art market In Duchamps case the emphasis has certainly been on his socalled readymades and more specifically his urinal or Fountain 1917 The Apparently Marginal Activities of Marcel Duchamp The Elena Filipovic an art historian is Director and Chief Curator of Kunsthalle Basel She is author of The Apparently Marginal Activities of Marcel Duchamp MIT Press Project MUSE The Apparently Marginal Activities of THE APPARENTLY MARGINAL ACTIVITIES OF MARCEL DUCHAMP by Elena Filipovic MIT Press Cambridge MA 2016 360 pp illus Trade ISBN 9780262034821 Elena Filipovic The MIT Press The Apparently Marginal Activities of Marcel Duchamp She examines Duchamps note writing archiving and quasiphotographic activities which resulted in the Box of 1914 and the Green Box his art dealing marketing and curating that culminated in experimental exhibitions for the Surrealists and his miniature museum The Apparently Marginal Activities of Marcel Duchamp Marcel Duchamp is largely understood in critical and popular discourse in terms of the objects he produced whether readymade or meticulously fabricated Elena Filipovic asks us instead to understand Duchamps art through activities not normally seen as artisticfrom exhibition making and art dealing to administrating and publicizing Project MUSE The Apparently Marginal Activities of By focusing on “apparently marginal activities” Filipovic addresses the issue of an artist being too much identified with certain of his or her things or artworks through either art history or the art market In Duchamp’s case the emphasis has certainly been on his socalled readymades and more specifically his “urinal” or Fountain 1917